supported by 8 fans who also own “I become the blood-spring of Eden (Instrumental)”
Surreal does not even properly convey the emotion and utmost perfection of this work. A combination of both polarizing beauty and harshness, Kardashev continues to embark on defining the boundaries of the melodic, progressive death scene. djc062001
supported by 7 fans who also own “I become the blood-spring of Eden (Instrumental)”
As someone who went backwards through Kardashev’s discography, I was surprised to see how effortlessly they leverage brutality in those older releases. Alice M.
supported by 7 fans who also own “I become the blood-spring of Eden (Instrumental)”
I saw these gents open the evening for DWeF in Trier some weeks ago. The vocalist seemed terribly shy between songs and then went full-on beastmode on the vocals again; him overcoming this was one of the most metal things I have ever seen. Vi Overlevde is, excuse this, bizarrely good. Not too posty, but still with a remarkable edge and a pretty unique feel to it. Maybe I'm still carried away by the live performance, but alas! This is great. Ensomhet is... beyond words. Kom til meg! David Fischer